Rehearsals - Week 2 - 28th October 2013

Another really successful week of rehearsals!

We hit some problems on our Tuesday rehearsal with Sarah, our choreographer being ill and not being able to make it. What did we learn from this? Always have a contingency plan! With having just over an hour to rejig the whole evening, it left us rather grasping at straws for the rest of the evening.

BUT - our cast worked really hard on Tuesday evening and a good few songs were learnt.

During the week we had a few meetings as a production team to re-assess the rehearsal planning process, coming to the conclusion that as there are so many members of our prod team, we all need a particular remit for who is doing what with who in which rehearsals. This said, we all planned Saturday's rehearsal together, and this was always gonna be a strenuous rehearsal!

And just an honorary mention for our daughters chorus for their sheer levels of stamina. Saturday was, well, bloody productive. We got 8 songs taught and a whole heap'o choreography learnt by the daughters which was no mean feat. It was a good 6 hours worth of rehearsal, it was hot and sweaty and strenuous for Sarah and the chorus, but it was looking and sounding amazing by the end of the evening.

We're one rehearsal away from the Act 1 finale, as is the rehearsal plan, needless to say, we're stupidly ahead of schedule and it looks like we'll get it all taught before Christmas.

Say wha'?! 'tis crazy. Jon and I are sat together as I write this and we're fangirling about how well it's going and just how amazing our cast are.

The week ahead is looking just as busy. After the first orchestra rehearsal was postponed, we have that this weekend with almost a full orchestra (bar 1 member). This Tuesday, we're teaching up to and including the Major General song, which leaves next Saturday's rehearsal for teaching all of the principle parts for the Act 1 Finale, for us to teach the chorus parts for the Act 1 finale which means that by Tuesday 5th November we'll have the whole first act taught.

That's the plan, at least.

Your Loving MD,
Thomas

Rehearsals - Week 1 - 21st October 2013

Having cast the show, we were faced with the rather daunting prospect of starting rehearsals. Come 15th October, we had our first chorus rehearsal and I think I speak on behalf of all the production team when I say how impressed we all were with everyone that turned up, and indeed the amount of people that turned up. We had 30-35 cast members which is a huge increase on last year!

Beginning as informally as ever with some warm ups et al, attention was turned to the first song that we'd planned to teach. With Thomas at the piano, Pour, oh Pour the Pirate Sherry was taught in little
under an hour. I must confess this rather left us scratching our heads as to what to do next, it took a lot less time than had been anticipated, and moreover it sounded better than any of us had expected.

So, what better than a Pirate battle? Chorus were split into two groups for some group work, seeing who could 'perform' the song the best, and, y'know it was certainly something. We had a text from AMD Katherine Bond saying she could hear us from the library!

This was of course followed up with the usual trip to the pub, success all round. First rehearsal, tick.

We were aware though that we had planned Saturday rehearsals from the outset and so come Saturday 19th, the first batch of principles joined us to learn their respective solos and begin blocking with them. The way this system is designed is to teach the principles their solos a few days in advance, so come the Tuesday, the chorus can learn their parts and the song can come together as a whole without having chorus sat round wasting time while the principles learn their part. In more than doubling rehearsal time, it means we can get as much contact time possible with the all the cast.

Again, rehearsals on Saturday were a success. Jon and I, along with Charli and Sarah got the first block of songs taught and began staging and getting lines run with Joe, Robin, Jenny, Alex and Charlie. Sage to say, I think it proves testament to the organisation of the production that we can have the first 4 songs taught to some degree to the whole cast. In a week. Considering that we have 21 weeks from first rehearsal to opening!

The week ahead will be run similarly, with chorus rehearsals on Tuesday teaching all the parts for the first block of songs and principles being called on the Saturday to teach them the next set of songs and so on. Of course, this weekend we have the first rehearsal with the orchestra. So it's a pretty busy weekend, but exciting nonetheless!

Feedback from the cast so far is almost universally positive, we're a happy production team. If you want to join our ranks on stage then our open chorus rehearses Tuesday evenings in building 34 on Highfield Campus!

Your Loving MD,
Thomas

Audition Weekend - 14th October 2013

So, we have a cast! I've sat down to write this on the Monday after our auditions weekend and I'm still absolutely exhausted. Alas, without further ado, it gives us all great pleasure to introduce our principles:

Frederic - Alexander Conway

Mabel - Rosie Bowen

Pirate King - Joseph Hand

Samuel - Robin Harris

Ruth - Jenny Samuel

Chief of Police - Pyotr Kurzin

Edith - Alex Blelloch

Kate - Sophie Brent

Isobel - Charlie Rowen

Major-General Stanley - Samuel Williams

The Auditions

Auditions began on the Friday night, with a panel of 6, comprising of Directors Jon and Ian, Musical
Directors Thomas and Katherine, Producer Charli and Choreographer Sarah.

As is the format of LOpSoc auditions, the auditionee sang a song of their choosing, a range test to gauge where their voice lay and some libretto work (monologues, dialogues etc). On the Friday night alone, we had 14 auditions and then beginning on Saturday at midday, we had another 17 auditions, bringing our total to the weekend to 31.

What struck all of us in particular was the standard of auditions, and we all agreed when it came to deciding who we wanted to call back that there wasn't a single bad audition, nor anyone we wouldn't feel totally happy with putting on stage. This was reflected in the fact that of 31 auditions, we had to call back 18 people for consideration.

The Callbacks

We were only able to cast two principle roles off the back of the auditions alone, which means we had to call back 18 people for 9 principle roles. For us as a production team, we wanted to avoid the feeling of 're-auditions'. Hence there was an emphasis on relaxed teamwork and informality about the day.

We hadn't anticipated the high levels of people we'd have to be calling back so there was a bit of an emergency planning meeting the night before which didn't finish until 3am. Probably why we were all a bit highly strung on the Sunday!

We split into two groups with Jon and Sarah taking one group to focus on teamwork and getting to know each other and Ian and Charli taking a more theatrical approach and working on characterisation in order to assess the stage presence of the actors, response to direction et al. During the day, Thomas took individual characters aside in groups of 2 or 3 (depending on how many people we had called back per character), would teach part of a song belonging to that character and then each person would perform the song. This was to see how quickly songs were learnt, how well people put character into their vocals etc.

These sessions ran throughout the day and by about half 4 we had finally finished! It then came to casting...

Casting

There were some characters who we found really easy to cast, and some that we all agreed on from the outset. Unfortunately, there were some characters that we were seriously split on. It meant a lot of discussion and arguments and one of our characters in particular took the best part of 45 minutes to decide on the person we wanted to cast. But, we're happy with our final cast.

Then came the bittersweet task of phoning everyone we had back for callbacks. We all agreed that we would phone people after auditions and callbacks, whether or not the person was successful. After the initial auditions, we phoned everyone either inviting them for callbacks or asking them to be in the chorus, and again after the callbacks we offered parts by phone, just because we felt it was more personal and friendly.

Rhiannon Syndrome

Unfortunately, this round of auditions saw a good few cases of Rhiannon Syndrome. This is where we have auditionees who performed incredibly and we'd have loved to have cast, but there simply wasn't a part for them. And it sucks. Because the auditionees will undoubtedly feel disappointed and like they didn't do well enough, but often, the problem is that they did but there just isn't a character that fits their voice. It actually really upsets us as a Production Team because ultimately, these are often our friends and we have to let them down but it's hard to emphasise how well they did without sounding like we're patronising them! So to everyone who didn't get cast, we're so sorry!

Rehearsals 

So, we start on Tuesday! Everyone is called, we start learning the songs, and it's the start of the hard work everyone'll have to put in, but really, it's the start of the fun!

The Nuffield Theatre

Following the rebranding of the Nuffield Theatre, tickets are now on sale! You can see our listing on the Nuffield Theatre website.

So...

We have a cast. Rehearsals are about to start, the orchestra is almost complete, and in 5 months we'll be on stage in the Nuffield.

From myself, Jon, Ian, Charli, Sarah and Katherine, you guys are awesome, and, we cannot wait to start working with you!

Your Loving MD,
Thomas

October, ahoy! - October 3rd 2013

Sorry for the lack of posting of late, it's been a busy few weeks!

In between, we've had the bunfight and confirmation of our auditions, we've also had our welcome meeting, met some amazing freshers and our orchestra is only a few members away from completion!

Bunfight

Alex, Jon and Ian at the Bunfight

So, at the bunfight we signed up about 140 people including singers and musicians on one of our most successful bunfights. Of course, this means lots of singing, dressing up as Pirates and shouting at scared Freshers, but it seemed to work, and we got the word out there about Pirates and Sweeney!

Welcome Meeting

Our welcome meeting saw plenty of people turn up old and new to learn about LOpSoc and Pirates, including teaching some songs and hitting the pub afterwards to get to know our freshers and it was all such fun. Such fun!

Auditions

Audition information:

11th and 12th OCTOBER 

11th October 6pm-Late  

12th October 12pm-Late

BOTH BUILDING 34 

More audition information can be found on the LOpSoc Website  and on the Facebook Event.

Orchestra

Our orchestra is almost all complete! We meet for the first time this coming Saturday, and are still looking for violins, a cellist and a bassist. So, if you see this, please email me! MD@LOpSoc.co.uk - It definitely looks like we'll have an orchestra of around 30, including me conducting! So it'll be packed, but sound AMAZING! Or so I hope..!

Any more?!

We're all very excited. Frankly. So so so excited.

Your Loving MD,
Thomas